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Resultaat 141 - 160 (van 205)
James Cateridge Film voor dummies®
Inleiding tot de theorie van de filmwetenschap, alsmede een beknopt overzicht van de filmgeschiedschrijving.
Non-fictie
Nederlands | ePub2, 6 MB | BBNC Uitgevers bv, Amersfoort | 2020
E-book
Rudi van Dantzig Een eeuwig opnieuw beginnen
een persoonlijke zoektocht naar Sonia Gaskell
Levensschets van balletgrootheid Sonia Gaskell (1907-1974), door de ogen van haar leerling.
Non-fictie
Nederlands | 384 pagina's (ePub2, 4,9 MB) | Walburg Pers, Zutphen | 2020
E-book
Sam Bettens All I am
After the release of their hit song 'Not an addict' in 1996, the Belgian band K' Choice started a wild ride along some of the world's biggest festivals. Being an unconventional band right from the start, they forged their own path in the music industry with Sam Bettens as their rebellious leader. But how much space for your true identity is there when you're standing in front of thousands of people? Sam Bettens has spent his entire life searching for who he is and how he was shaped that way. Is he...
Engels | 83 pagina's (ePub2, 2,9 MB) | Das Mag Publishers, Amsterdam | 2023
E-book
Mylou Frencken Leven in het lied
Interviews met ruim 25 cabaretiers, gecombineerd met de teksten van hun mooiste lied en een cd met alle liederen.
Non-fictie
Nederlands | 309 pagina's (ePub2, 0,8 MB) | Luitingh Sijthoff, Amsterdam | 2017
E-book
Orpheus Institute Experience music experiment
pragmatism and artistic research
"Truth happens to an idea." So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of "doing and undergoing." But what do these ideas have to do with music, or with research conducted in and through music-that is, with "artistic research"? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses...
Non-fictie
Engels | PDF, 15 MB | Leuven University Press, Leuven | 2021
E-book
Orpheus Institute Sound work
composition as critical technical practice
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and...
Non-fictie
Engels | 376 pagina's (PDF, 23 MB) | Leuven University Press, Leuven | 2021
E-book
Orpheus Institute Machinic assemblages of desire
Deleuze and Artistic Research 3
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, "assemblage" is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages...
Non-fictie
Engels | PDF, 27 MB | Leuven University Press, Leuven | 2021
E-book
Dirk Moelants Improvising Early Music
The history of musical improvisation from the late Middle Ages to the early Baroque.Studying improvised music is always a challenge, due to its volatility and unpredictability. But what about studying musical improvisation from before the age of sound recordings? In this book three experts give their view on aspects of musical improvisation in the late medieval, renaissance, and early baroque periods. Historical sources show us how improvisation was an integral part of music education and how closely...
Engels | 136 pagina's | Leuven University Press, Leuven | 2014
E-book
Orpheus Institute | Stefan Östersjö Listening to the other
Our contemporary, globalised society demands new forms of listening. But what are these new forms? In Listening to the Other, Stefan Östersjö challenges conventional understandings of the ways musicians listen. He develops a transmodal understanding of listening that is situated in the body-a body that is extended by its mediation through musical instruments and other technologies. Listening habits can turn these tools-and even the body itself-into resistant objects or musical Others. Supported...
Non-fictie
Engels | PDF, 6,3 MB | Leuven University Press, Leuven | 2020
E-book
Orpheus Institute Performance, subjectivity, and experimentation
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this...
Non-fictie
Engels | PDF, 4,2 MB | Leuven University Press, Leuven | 2020
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Futures of the contemporary
contemporaneity, untimeliness, and artistic research
Futures of the Contemporary explores different notions and manifestations of "the contemporary" in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from "the contemporaneous" of a given historical time, "the contemporary" becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose...
Non-fictie
Engels | PDF, 4,4 MB | Leuven University Press, Leuven | 2019
E-book
Lenny Kravitz Let love rule
In zijn langverwachte autobiografie vertelt rockster Lenny Kravitz, zoon van een Joodse vader en een Afro-Amerikaanse moeder hoe hij uitgroeide van verlegen jongen tot artiest met internationale sterrenstatus. Het boek beschrijft de eerste 25 jaar van zijn leven. Lenny is zeer openhartig over alle facetten van zijn jonge jaren. Over zijn relatie met zijn ouders, hun scheiding, maar ook over platenbazen die aanvankelijk geen idee hadden hoe ze hem in de markt moesten zetten (‘Prince meets John Lennon’)....
Non-fictie
Nederlands | ePub2, 9,9 MB | Kosmos Uitgevers, Utrecht | 2020
E-book
Orpheus Institute Artistic research in music: discipline and resistance
artists and researchers at the Orpheus Institute
The Orpheus Institute celebrates 20 years of artistic research in music. Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic...
Non-fictie
Engels | 316 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2018
E-book
Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
Non-fictie
Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Femke van Wiggen Olga
morgen dans ik weer
Biografie van balletdanseres Olga de Haas (1944-1978), die eerste soliste bij het Nationale Ballet wordt, maar door de grote druk een eetstoornis ontwikkelt en uiteindelijk sterft.
Non-fictie
Nederlands | 253 pagina's (ePub2, 2,6 MB) | De Geus, Amsterdam | 2016
E-book
Twan Arts James Bond voor dummies
Je hebt vast weleens van James Bond gehoord of een film van hem gezien. Maar wat weet je nou écht van geheim agent 007? Waar staan die cijfers bijvoorbeeld voor? En waarom is hij al ruim vijftig jaar 's werelds meest geliefde filmheld? Na het lezen van 'James Bond voor Dummies' kent 007 geen geheimen meer voor jou! Dompel je onder in de wereld van James Bond en kom alles te weten over de Bondgirls, de schurken, de stunts en natuurlijk 007 zelf. Twan Arts is van jongs af gepassioneerd door film in...
Non-fictie
Nederlands | 197 pagina's (ePub2, 2,2 MB) | BBNC Uitgevers, Amersfoort | 2016
E-book
Suzanne Rethans Begeerd en verguisd
het leven van Sylvia Kristel
Biografie van de Nederlandse actrice Sylvia Kristel (1952-2012), die wereldberoemd werd door haar hoofdrol in de softpornofilm 'Emmanuelle' (1974).
Non-fictie
Nederlands | ePub2, 6,2 MB | Atlas Contact, Amsterdam | 2019
E-book
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book